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Personally, I distinguish between them by noting how naturalism goes out of its way to obsessively and grimly point out the limitations of human potential.
Realism shares this concern, but seems less obsessed with this point.
Examining the wide variety of writers called "realists" at one time or another shows how flexible the term is.
Linguists normally mark reconstructions by placing an asterisk in front of them. For instance, the Indo-European word REFRAIN: A line or set of lines at the end of a stanza or section of a longer poem or song--these lines repeat at regular intervals in other stanzas or sections of the same work.
It tends to focus as much on the everyday, the mundane, and the normal as events that are extraordinary, exceptional, or extreme. The movement contrasts with (and is often used as an antonym for) literary forms such as the romance, science-fiction, fantasy, magic realism, mythology, surrealistic art, modernism and postmodernism.
Note that the earlier literary movement known as naturalism is often used as a precursor and antonym for realism, even though both literary movements share many similarities.
RAISONNEUR (French, "Reasoner"): A character in continental literature whose purpose is similar to that of a chorus in Greek drama, i.e., this choric figure remains at a distance from the main action and provides a reasoned commentary about what takes place.
However, a raisonneur doesn't necessarily sing like the chorus, and the character appears in other RASH BOON: A motif in folklore and in Celtic and Arthurian literature in which an individual too hastily promises to fulfill another character's request without hearing exactly what that request is.
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The term has become something of a catchphrase in modernist and postmodernist writings.